She’s Amy Macdonald and her debut album, maybe her only one, is “This is the life”.
Quite frankly, I don’t like the whole album. In fact when I like the song’s lyrics I don’t find its music very appealing. Anyway “This is the life” is a really catchy song and a perfect example of her interesting voice.
Well, I hadn't written anything in this section of the blog, until today when I found the perfect excuse to do so again. You know, I was driving to school while listening to Carles Francino on Cadena Ser when I heard the news. "Interesting", I thought to myself. "I should read the British press to confirm the story". And that's what I did about 20 minutes ago, I had nearly forgotten! So I found this article in the Telegraph (open your mail for the PDF) with the headline: Whiter Shade of Pale is Britain's most-heard record. The PPL (the equivalent to our SGAE) is celebrating its 75th anniversary and has disclosed the list of the most popular so
ngs in the UK throughout all these years. And on the very top is Procol Harum's haunting classic. Boy, do I love the Bach-flavoured organ, the mysterious lyrics talking about a ghostly face and vestal virgins, a collection of abstract phrases which I've never been able to understand well, but I couldn't care less. No doubt this is one of the most memorable songs of the 60s, the foundation of what would become progressive psychedelic rock. And it is top of the list, ahead of rock anthems (Queen's Bohemian Rhapsody) and pop superhits (Wet Wet Wet's Love is all Around). I'm sure many, most of you have heard the melody before but in case you haven't this is my personal tribute to one of the greastest British bands of the late 60s. Would you like to express your views about A Whiter Shade of Pale ("Con su blanca palidez" was the translation into Spanish, not very fortunate I should say)? Right-oh, this is the place, isn't it? Just one curiosity: do you know which song is the most heard in Spain, according to the SGAE? A rock classic, a classical piece? Nope! The ever so festive Paquito Chocolatero, no less! At least that's what Carles Francino said ... Surprised, are you?
I also embed the original videoclip. So fresh and funny, rather Beatles-like (with some shots on location in the streets of London) but anyway nothing to do with today's excessively elaborate big-budget MTVish shorts. Whenever I listen to the song it partly reminds me of another 60s classic: Percy Sledge's When a man loves a woman. Some of the chords are so similar ...
Well, this is all for now. See you tomorrow!
March 16th
Well, everybody knows best-selling Irish artists like The Corrs, U2 and stuff. But the song I've chosen to celebrate Paddy's Day is by a singer who is virtually unknown in Spain. I "discovered" her during my first trip to the island way back in '92. My newly-made Irish friends took me to a gig in the Olympia by a performer I had never heard of before, Mary Black. I can assure I was absolutely blown away by her warm voice and stage presence, so much so that the very next day I went to the HMV megastore and bought every record available (and I'm not exaggerating).
Whatever. There are many songs by my beloved Mary I could have embedded here but since I had to choose just one, I thought of The Holy Ground (meaning Ireland, of course). You know, Mary is not a songwriter but simply sings other people's material, mind you, carefully selected. This one is written by the great Gerry O'Beirne and tells the story of an Irishman who, despite being deeply-rooted to his native land, emigrates to Mexico looking for adventure and gets involved in the War of Independence. I love Mary's serene, achingly beautiful voice accompanied by the soothing sound of an acoustic guitar and a tin whistle. And the lyrics are so moving! Hopefully you'll like The Holy Ground and feel sort of Irish for a while ...
March 12th
No, this is something totally different, stuff that I really like. You know, this morning - afternoon, rather - I was driving to El Tormes for some shopping while listening to Rock 'n' Gol when the DJ announced that today was James Taylor's 61st birthday. I don't know if you've ever heard of this great artist, one of my favourite American singer songwriters. He's gone through so many ups and downs, both personally and musically, while recording fantastic songs. The one they played was How Sweet it Is (to be loved by you), not bad at all, but definitely not among my favourite. The thing is that it instantly dawned on me that it was a song by James Taylor that I could insert here, to share with you guys. I've always liked his introspective music, his intimist voice, but, most of all, his sensitive lyrics. And this one ranks among the best, in my modest opinion, he's ever written, Fire and Rain, which, legend has it, he composed in the late 60s at different stages of his then turbulent life. It's said James started writing it in London while auditioning for the Beatles' Apple Records and finished it during drug rehab back in his native Boston while coming to terms with the death of a best friend, Suzanne (see the first two lines). There's so many feelings Fire and Rain (beautiful title indeed!) expresses, the battle against depression and heroine addiction, the devastation caused by Suzanne's death, but I'd really like you to discover them when you listen to the music and read the awesome words carefully. Sheer poetry within a powerful emotional song, I must say! Hope you like it, folks, and send in your comments ...
Then, a recent, heartfelt live rendition of the song in NY. A seasoned mature (and bald!) artist, worlds apart from the fickle long-haired "junkie" he once was. Lovely to hear the sound of the cello shrouding James's soft voice.
March 5th
Ana - who else! - wishes to contribute to the blog with another song, by Queen no less! You know how much she likes stuff by Freddie Mercury and Co (and so do I). It goes like this:
Death on two legs is one of my favourite songs by Queen. This song belongs to the album "A night at the opera".
A long time ago when I was given this album as a present by one of my best friends I didn't know anything about Queen and their music and of course my English was very naïve. By then I could just perceive the music and the only thing I could do was "guess" the idea of the songs.
It's weird, but when I listened to "Death on two legs", it reminded me of Che Guevara: "It's better to die on your feet that die on your knees". Knees, legs... they both were parts of the body.
But in fact I loved this song, music aside; I vibrated with Queen’s stirring and powerful voices, full of nuances.
The funny thing is that until now I didn't know the meaning of the song, and in some way I am a bit surprised by the lyrics, because I couldn't imagine that this song referred to very materialistic issues. Apparently Death on two legs is about Queen's ex-manager, Norman Sheffield, who is reputed to have mistreated the band and abused his role as their manager from 1972 to 1975.
Anyway, most of the guitar parts on Death were initially played on piano by Mercury, to demonstrate to Brian May how they needed to be played on guitar. The song starts with a complex introduction of arpeggios in crescendo which reaches devilish levels, and ends with a deeply evil riff.
The combination of the grand-piano and the guitar is powerfully appealing, and the voices, as in other Queen's songs, make you feel as if you were transported back in time by an odd strength to an oniric place.
February 25th
I don't know if you've already had a look at Cutting Edge's next module, which is called "In the money" (we'll talk about phrases in English like this one meaning "forrado"), but the thing is that all of a sudden I came up with the idea of inserting a new song onto our blog related to the so called "filthy lucre" (el vil metal, that is). Actually, there's quite a few in pop rock dealing with the subject, from Beatles classics like Can't buy me love and Abba's Money money money to more modern stuff such as Dire Straits' Money for Nothing or Madonna's Material Girl. The list would be endless, because as another famous tune goes "Money makes the world go round" (from Liza Minelli's Cabaret).
Its lyrics reflect on the bad things that money can bring (ironically it has made a lot of cash for PF as the album has sold - and still does - over 40 million copies worldwide!). The song begins with brilliant studio effects: the sound of coins and cash registers punctuated by the rhythms of the guitar and bass. Actually the album was engineered by the famed British producer and studio genius Alan Parsons at the mythical Abbey Road (where the Beatles recorded their best stuff). Money is 70 percent instrumental, 30 percent lyric but the words are cleverly crafted and filled with humour, so this song can be the perfect introduction to our next unit. Hope you enjoy it!
I forgot: the video is a brilliant cover version by my son's favourite band, progressive metal virtuosos Dream Theater. It's only that I haven't been able to find on the Net a good-quality rendition of the original song by Pink Floyd. Mind you, DT make good stuff!
is that I don't believe in these money-oriented dates, so instead I'm inclined to go for a song that sort of deals with desamor, lack of affection in its crudest shape. Actually it's about child abuse and tells the story of a frightened boy who cannot vent his feelings and talk about the ordeal he's going through. It belongs to a great album by American singer songwriter Suzanne Vega, actually her second in the studio recorded in 1987 under the name Solitude Standing (I still keep the vynil, which definitely launched her to stardom) and the song is called Luka. I was priviledged to see Suzanne perform live here in Salamanca (maybe so were some of you) at the Palacio de Congresos some 5-6 years ago, a great gig. You may have heard the song before, as it was a big hit in Spain at the time and is still aired on radio stations now and then. The thing is that during the abovementioned gig she sang Luka in its Spanish cover version (incidentally Suzanne's stepfather, as she explained, is Puerto Rican so she has a smattering of Spanish) and it sounded so weird to me that I was a little put off by it, having heard the original stuff so many times. And all this has to do with the tired old story of film dubbings and how the characters lose their spirit, their soul, when dubbed into another language. For me it's the same with Luka, the translation sounds contrived and unnnatural. That's why I've embedded the goear original sound clip and further down below, after the scroller, the YouTube video featuring Suzanne's "unplugged" live rendition of the song in Spanish, actually during a gig in Barcelona. Judge for yourselves ...
But today I cannot end this entry without talking about a famous anniversary: Exactly 45 years ago, on February 9th 1964 (they had arrived in the US a couple of days earlier) the Beatles became the first British band to really break into the American market with their legendary television appearance in the iconic Ed Sullivan Show performing songs (a bit sappy - "ñoñas"- and unpolished by their later standards) like All my Loving, She Loves You and I Want to Hold your Hand. You may like or not the sound of them but there's no doubt whatsoever that they changed music forever: the so-called Beatlemania had officially begun as you can see in the now historic black-and-white documentary down below. Being what I am, there's just one more thing I can say: Which English teacher across the world hasn't at least once used Beatles' songs in their lessons? Penny Lane, Let it Be, Yesterday, When I'm 64, ... you name it, the list would be endless. So, on such a meaningful anniversary, this is my personal tribute to the Fab Four.
Last night I went to see the rock opera "Jesucristo Superstar", of course in Spanish, but I wanted to share with you my feelings about this musical.
Even though thinking the original -in English- is the best, this one made a deep impression on me; the musical arrangements are brilliant, the production is fascinating and the main characters, Jesus Christ (Gerónimo Rauch) and María Magdalena (Sandra from O.T.) are absolutely wonderful. Specially their compelling voices fill the stage.
If I were eighteen years old I wouldn't doubt it: I would dedicate all my life to it (it's my hidden vocation).
Yesterday I left the theatre extremely overjoyed ... and with a wholesome envy.
Dear Ana, thank you so much for the great review and for the whirpool of memories it triggers in me. You know, I was only a kid (barely 12-13 years old) when I first heard JCS on one of these basic primitive turntables whose lid was the loudspeaker (those were the days!) You see, my neighbours in the flat above were great music buffs and God only knows how this fantastic rock opera reached them, but in any case when I listened to the first few notes it literally blew me away, even if my English was rudimentary, if any at all. Such fantastic voices! Anyway I don't want to get into it and make this too long, but I would like to insert a couple of clips which I really love, from the famously controversial 1973 Oscar-nominated film adaptation, featuring the awesome voices of Carl Anderson, Ted Neely and Yvonne Elliman in the roles of Judas (very much the focus of the film), Jesus and Mary Magdalene, respectively. Great stuff!
February 3rd
Why is the song called American Pie, you may wonder? Well, it's a metaphor for the lost post-war American dream, a requiem for the teenage world of innocence, abundance and unity that accompanied the R 'n R movement of the 50s. If you read the lyrics carefully, Don McLean writes about what happened in the US in the decade following Holly's death: the loss of national identity, the triumph of rock excess and the gradual collapse of beliefs. It's kind of an eulogy, not just for Buddy Holly but also for America as a nation.
Anyway, I hope you enjoy this 8-minute plus masterpiece which, funnily enough, was censored in Spain by the Franco regime for considering part of its lyrics "politically incorrect", God only knows on what grounds!
Don McLean Lyrics
American Pie Lyrics
Carmen says:
DON'T CRY by Guns N' Roses is a ballad, a great ballad in my opinion. As you know they are a hard rock band born in
This song belongs to the album "Use your Illusion I", and together with "November rain" they are the best two ballads by this group, although they usually play hard rock.
I don't know why but this song reminds me of some ballads by Metallica.
I think that bands are like people: the harder, ruder, stronger they are, the sweeter they seem when they want to.
So, without further ado, here's Guns 'n' Roses. Dear Ana, I have to admit they've never been my favourite band (honestly I don't like the way Axl sings much) but still they pull off this one nicely. And anyway I cannot thank you enough whenever anyone of you contributes, however little it may be, to this blog, and you do ... a lot!




